Doktor Faustus slika epohalno finale, koje predstavlja nacional-socijalizam u Nemačkoj i Drugi svetski rat, i njegovo približavanje, viđeno pre svega iz perspektive reprezentativne sudbine umetnika, a onda i kroz preplitanje drugih građanskih sudbina. Problem sa kojim se Toman Man suočava od svojih početaka: umetnik je među drugim ljudima usamljenik, iako njegovo delo treba da bude njegovo obraćanje njima – dobija ovde najzaoštreniji vid i bitno povesni smisao.
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